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Y tú tan solo, Ezra Pound!
註釋MAJOR EDITION that presents the rescued artwork of concrete artist Guillermo Núñez (b. Santiago de Chile, 1932) from the 1975 exhibition "Núñez: Esculturas-Pinturas" and soon after the artist was detained and confined in Cuatro Alamos, Villa Grimaldi and Tres Álamos, finishing in Puchuncavá from where he left Chile to live in exile for the next 12 years. These installations reflect Núñez feelings after his first detention, in 1974 and represent a violation of freedom where he uses the metaphor of a caged bird, a bird that is the symbol of man and his daily living and feelings: caged work, caged art, and caged thinking. The book includes his writings, a collection of poetic texts dedicated to liberty, to day-by-day beauty, to life, where he constantly quotes Seneca phrase to Pluto: Homo, sacra res homini (Man is something sacred for man). During his confinement days in the convulsive decade of the 1970s, Núñez started living a new conception of his art. An art that would become the artistic expression for the oppressed, the persecuted, and of those living in humiliation, terror and hunger. "Man is the wolf of man" would become the agonizing meaning of his pictorial production.