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Evolution of Non-Objective Art in the Russian Avant-garde, 1900 to 1923
註釋In this project, I will investigate the differences and similarities between the thought process that Wassily Kandinsky and Kazimir Malevich explored while creating abstract imagery. It will explore the regional background of the two artists within the turn of the century. It will separately depict the thought process of both Kandinsky and Malevich, while still outlining the similarities that brought the two into their individual ideas. Since the two put a great amount of importance in writing about art theory, these writings will be also referenced and looked at throughout the project I will argue that Kandinsky’s approach was influenced to a great extent by the Symbolist climate prevalent in European culture, specifically seen in Kandinsky’s art works created during the pre-Blue Rider period (c. 1907-1910/11). This Symbolism-infused art, in turn. laid the ground work for his transition to abstraction.