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The Madrigals of Giambattista Marino and Their Settings for Solo Voice (1602-1640)

Peter Laki

出版	University Microfilms International [Publisher], 1989
URL	http://books.google.com.hk/books?id=m-4XmQEACAAJ&hl=&source=gbs_api

註釋

For the remainder of the dissertation, settings are represented by works composed for solo voice and accompaniment on poetic madrigals from Marino's La Lira. Compositions from this repertoire are investigated in subsequent chapters for rhythmic, textural, melodic, harmonic, and ornamental analogies to Marinist practices; the last chapter focuses on how piece endings in particular resemble typical endings in the poetry. It appears that the musical impact of certain formal ideas in Marino's poetry is considerable and quite far-reaching.