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wäre ich von Stoff, ich würde mich färben
出版Generali Foundation, 2014
ISBN39011076659783901107665
URLhttp://books.google.com.hk/books?id=oHgaogEACAAJ&hl=&source=gbs_api
註釋This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally. In her contributing essay, Ulrike Gossarth states that the titleWere I Made of Matter, I Would Coloris a counter-model to the fundamental Descartian formula I think therefore I am, a position which exists between consciousness and disembodiment, in a state of incompleteness. Rainer Borgemeister discusses the artist's actions from 1978 to 1987, which were preceded by her critical engagement with modern dance. Further contributions from Mieke Bal, Michael Glasmeier, and Elliot R. Wolfson discuss Grossarth's practice in relation to history, the body, and polymorphism.