登入
選單
返回
Google圖書搜尋
Bajo El Cielo Peruano
Pedro de Peralta Barnuevo
其他書名
The Devout World of Peralta Barnuevo
出版
U.N.C. Department of Romance Languages
, 2008
主題
Literary Criticism / General
Literary Criticism / Caribbean & Latin American
Religion / General
Religion / Christianity / Literature & the Arts
Religion / Prayerbooks / Christian
Religion / Christian Rituals & Practice / Worship & Liturgy
Religion / Spirituality
ISBN
0807892955
9780807892954
URL
http://books.google.com.hk/books?id=oXwqAQAAIAAJ&hl=&source=gbs_api
註釋
Bajo el Cielo Peruano: The Devout World of Peralta Barnuevo
examines two of Peralta Barnuevo's overtly religious texts as contexts for the rich erudition demonstrated in other literary and historical genres authored by the early eighteenth-century Peruvian writer. This critical edition makes
La Galeria de la Omnipotencia
and
Pasion y Triunfo de Christo
available in print for the first time in over 260 years. The two major works span the years 1729 to 1738.
La Galeria
celebrates the canonization of Toribio Alfonso de Mogrovejo in a literary tribute and exemplifies how Peralta textualized the contradictions of viceregal loyalty and a commitment to a distinct American identity. Through an analysis of the trans-Atlantic history of the poetic joust in Hispanic letters, David Slade demonstrates how
La Galeria
exceeds the restrictions of its formulaic genre by offering a perspective on colonial Peru alternative to that of the official metropolitan discourse.
Pasion y Triunfo
, written in response to Peralta's crisis of faith, enters theological debates and displays the author's mature erudition, elevated rhetoric, and talent for invoking religion and history to serve literary production. Rebuked by the Inquisition, Peralta mounted a convincing defense to save both himself and the text from censorship.
With the aim of centering Peralta within the canon of Latin American letters, Slade and coeditor Jerry Williams provide examples of problems and critical questions to be addressed when reading or teaching the two texts. They offer
La Galeria
and
Pasion y Triunfo
as a challenge to readers to reevaluate Peralta's legacy with respect to how he engaged Enlightenment influences, to teach his writings, and to treat them as an exegesis of religious writings in colonial Peru.
