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The History of Music Production
Richard James Burgess
出版Oxford University Press, 2014
主題Business & Economics / Industries / EntertainmentMusic / GeneralMusic / Business AspectsMusic / History & CriticismMusic / Recording & ReproductionMusic / Instruction & Study / Techniques
ISBN019935717X9780199357178
URLhttp://books.google.com.hk/books?id=qMKiAwAAQBAJ&hl=&source=gbs_api
EBookSAMPLE
註釋The author draws on his experience as a producer and a musician in this history of recorded music, which focuses on the development of music production as both art form and profession. This book begins in 1860 with the first known recording of an acoustic sound and moves chronologically through the twentieth century, examining the creation of the market for recorded sound, the development of payment structures, the origins of the recording studio and those who work there, and, ultimately, the evolution of the recording industry itself. Burgess charts the highs and lows of the industry through the decades, ending with a discussion of how Web 2.0 has affected music production. The focus remains throughout the book on the role of the music producer, and Burgess offers biographical information on key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. While technology has historically defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry came from producers. In keeping with this unique argument, This book incorporates clear yet in-depth discussion of the developmental engagement of technology, business, and art with music production. Burgess builds this history of music production upon the strongest possible foundation: the key transitions, trends, people, and innovations that have been most important in the course of its development over the past 136 years. The result is a deeply knowledgeable book that sketches a critical path in the evolution of music production, and describes and analyzes the impact recording, playback, and disseminative technologies have had on recorded music and music production.