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Flesh to Stone

其他書名	Ingriste Women and Portraiture in the Circle of Ingres Between Rome and Paris, 1825-1870
出版	Northwestern University, 2003
URL	http://books.google.com.hk/books?id=qWgyAQAAIAAJ&hl=&source=gbs_api

註釋The point of departure for my dissertation is the sustained production of portraits of women by J.-A.-D. Ingres (1780--1867) and six of his most devoted and distinguished students. Through the examination of the solidification and multiplication of a monumental, sculptural female portrait type in the work of Ingres and his students Amaury-Duval [Amaury Eugene Emmanuel Pineu-Duval] (1808--1885), Henri Lehmann (1814--1882), Theodore Chasseriau (1818--1856), Hippolyte Flandrin (1809--1864), and Victor Mottez (1809--1897), I assert that portraiture, rather than a subsidiary genre of painting divorced from the atelier's serious pursuits, lay at the crux of ingriste studio practice and group identity. Despite the persistent myth of the exteriority of portraiture to academic pedagogy (and regardless of Ingres's notorious repudiation of the genre), portraits featured in Ingres's atelier teaching, both in Paris from 1825 to 1834, and in Rome, from 1834 to 1841. Indeed, portraiture functioned as the practice through which Ingres articulated his particular relation to 'nature' and 'ideal,' undergirding terms of academic training, practice and criticism. Excavating the allegorical processes and 'academic' techniques used in the creation of ingriste female portraits, I posit that these artists practiced portraiture as history painting.