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A Cultural History of Western Music: A Cultural History of Western Music in the Industrial Age
Lauren Curtis
Tom Phillips
Sarah Olsen
Carolyn Laferrière
Hanna Golab
Nils Holger Petersen
Andrew James Hicks
Jonathan Morton
Rebecca Maloy
Anne Levitsky
Susan Boynton
Joseph William Mason
Meghan Quinlan
Anna Zayaruznaya
David Catalunya
Kirsten Gibson
Melinda Latour
Vincenzo Borghetti
Tim Shephard
Evan Angus MacCarthy
Daniele V. Filippi
Remi Chiu
Roger Mathew Grant
Rebekah Ahrendt
Stephen Rose
Elisabeth Le Guin
Geoffrey Burgess (Oboist)
Rebecca Cypess
Benjamin Walton
Michael Gallope
Ana María Ochoa Gautier
Laura Tunbridge
Adrian Daub
Roger Moseley
Hyun Kyong Hannah Chang
Anna Gawboy
Marysol Quevedo
Anicia Timberlake
Ellie M. Hisama
Stephanie Jensen-Moulton
Rob Deemer
Penny Brandt
出版
Bloomsbury Academic, Bloomsbury Publishing Plc
, 2024
URL
http://books.google.com.hk/books?id=rbvc0AEACAAJ&hl=&source=gbs_api
註釋
"Music has been significant in social, religious, and political ritual, and in education, art, and entertainment in all human cultures from antiquity to today. The Cultural History of Western Music presents the first study of music in all its forms - ritual, classical, popular and commercial - from antiquity to today. The work is divided into 6 volumes, with each volume covering the same topics, so readers can either study a period/volume or follow a topic across history. The volumes are: 1. A Cultural History of Western Music in Antiquity 2. A Cultural History of Western Music in the Middle Ages 3. A Cultural History of Western Music in the Renaissance 4. A Cultural History of Western Music in the Age of Enlightenment 5. A Cultural History of Western Music in the Industrial Age 6. A Cultural History of Western Music in the Modern Age. The topics are identity, communities and society; changing philosophies and ideas about music; politics and power; musical exchange and knowledge transfer between the West and the non-West; musical education; popular culture and musical entertainment; the places, practices, and experiences of performance; and the development of music technologies and media. The page extent for the pack is approximately 1536 pp. Each volume opens with Notes on Contributors and an Introduction and concludes with Notes, Bibliography, and an Index"--