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Minimalism and Art-cinema Narration in Gus Van Sant's Gerry, Elephant, and Last Days

Matthew John Alberhasky

出版	Iowa State University, 2006
URL	http://books.google.com.hk/books?id=sGtHOAAACAAJ&hl=&source=gbs_api

註釋

Examines stylistic and aesthetic uses of Minimalism in Van Sant's films: Gerry, Elephant, and Last Days, specifically in terms of plot, character development, and cinematography. Also applies David Bordwell's distinction between classical Hollywood narration and art-cinema narration to aid in interpreting and understanding the films' Minimalist style as working in opposition to the conventional Hollywood film.