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The Languages of Performance in British Romanticism
Lilla Maria Crisafulli
Cecilia Pietropoli
出版
Peter Lang
, 2008
主題
Drama / General
Drama / European / English, Irish, Scottish, Welsh
Literary Criticism / General
Literary Criticism / European / English, Irish, Scottish, Welsh
Literary Criticism / Semiotics & Theory
Literary Criticism / Drama
Literary Criticism / Subjects & Themes / General
Performing Arts / Theater / History & Criticism
Performing Arts / Theater / Stagecraft & Scenography
ISBN
3039110977
9783039110971
URL
http://books.google.com.hk/books?id=sXS5aE_PynIC&hl=&source=gbs_api
EBook
SAMPLE
註釋
This volume presents a selection of essays by established Italian and international scholars in the field of Romantic drama. It is divided into four main sections: 1) Dramatic Theory and Practice; 2) On the Romantic Stage: History, Arts, and Acting; 3) Interaction of Genres: from Fiction to Drama; 4) The Romantics' Debate on Theatre and Drama: a Selected Anthology. The crucial area of debate these essays address is the way in which the problem of the dramatic representation of the self becomes in Romantic drama the very centre of reflection on the constitution of the modern subject. Each essay explores one or more aspects of the formation of modern subjectivity through dramatic representation of the self and through critical enquiry into the modes of that representation. The first and the fourth sections discuss the complex interaction between the theoretical questions that animated the debate around the Romantic theatre and the multifarious and often unruly performance practices of the time. The other two sections deal with the many and diverse ways in which Romantic drama engaged with and incorporated other artistic genres such as painting, performing arts, music, and the novel.