American photographer
Walker Evans (1903–1975) is best known for his portraits of Depression-era
America, a number of which were included in Let
Us Now Praise Famous Men (1941), his famous collaboration with writer James
Agee. In 1942, at the behest of retired journalist Karl Bickel, Evans journeyed
to Sarasota to take photographs for The
Mangrove Coast, a book Bickel was writing about the long and colorful
history of Florida's Gulf Coast.
Featured
in Walker Evans: Florida are the
surprising images Evans took during that six-week stay in the area, which
constitute a little-known chapter in Evans's distinguished career. Far from
stereotypical postcard pictures of sandy beaches and palm trees, Evans captured
a region of contradictions. Here in the nation's seaside vacationland, Evans
focused his lens on decaying architecture, crowded street scenes, retirees, and
numerous images of animals, railroad cars, and circus wagons from Ringling
Brothers and Barnum and Bailey Circus, whose winter home was Sarasota.
Accompanying the fifty-two images in Walker Evans: Florida is novelist Robert
Plunket's wry account of the human and geographic landscape of Florida.