In Asian Nietzsche, I have attempted to re-create the “philosophical conversation” and - partly by means of humor and surprising references to popular culture, sex, and lingerie - make accessible to contemporary audiences discussions of the comparative study of ideas, religions, nations, and civilizations. This includes an inquiry into the origins of fundamental or revolutionary creativity as compared to the far more common phenomenon across societies and world history, namely, relative cultural stasis or a lack of fundamental creativity and innovation.