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Towards a Digital Epistemology
Jonas Ingvarsson
其他書名
Aesthetics and Modes of Thought in Early Modernity and the Present Age
出版
Springer Nature
, 2021
ISBN
3030787249
9783030787240
URL
http://books.google.com.hk/books?id=uchAEAAAQBAJ&hl=&source=gbs_api
EBook
SAMPLE
註釋
Intro -- Foreword -- The Digital Switch: From Causality to Relationships -- References -- Preface and Acknowledgments -- Contents -- List of Figures -- Chapter 1: Digital Epistemology: An Introduction -- 1.1 Digital/Analog -- 1.2 Liu/Lindhé/O'Gorman -- 1.3 Epistemology and Early Modern Modes of Thought -- 1.3.1 The Emblem -- 1.3.2 The Cabinets of Curiosity -- 1.3.3 Epistemology Engines and Recursive Historiography -- 1.4 Media Archaeology -- 1.5 The Book -- References -- Chapter 2: Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 2.1 The Past and the Contemporary -- 2.2 McLuhan, Media Archaeology and Historiography -- 2.3 Strategies and Juxtapositions -- 2.3.1 Salon Culture versus Social Media -- 2.3.2 The Principle of Pertinence and the Mosaic of McLuhan -- 2.3.3 Electronic Literature versus the Renaissance Emblem -- 2.4 Interface. Mosaic -- 2.5 Hegnhøj and Essvik. Materiality and Analog Nostalgia -- References -- Chapter 3: CCC versus WWW: Digital Epistemology and Literary Text -- 3.1 The Mechanical Hand -- 3.2 The Literary Text: Operation CCC -- 3.3 Postdigitality and Analog Nostalgia -- 3.4 Digital. Tactile. Cabinet -- 3.5 The Principle of Pertinence -- 3.6 Imri Sandström: Language and the Principle of Pertinence -- 3.7 Kunstkammer Poetics -- 3.8 Babbage. Again -- References -- Chapter 4: "Books Are Machines": Materiality and Agency from the 1960s to the 2010s -- 4.1 Digitization as a Lens -- 4.2 Digital History and Threats -- 4.3 Without Us: UKON -- 4.4 Ubiquitous Viruses -- 4.5 The Number of the Beast -- 4.6 Torsten Ekbom 1965 -- 4.7 Johannes Heldén 2010 -- 4.8 On Digital Humanities -- References -- Chapter 5: Towards a Twenty-First-Century Pedagogy for the Humanities -- 5.1 Introduction -- 5.2 The Two Cultures 2.0 -- 5.2.1 Counter-culture -- 5.2.2 Correspondence -- 5.3 Digital Expressions?.