Composed of five movements, bicycle's predominant imaginings, that of circles and bridges, bond the worlds of the Americas through all their interior levels. In such marriage--where these interiors settle in silence and repose, where attachment and aversion are seen as different sides of one coin, where the wheels turn to resist and to empower the nameless, where refuge locations are made to allow the liminal to resolve itself and transcend--bicycle's America unleashes frame-breaking force to bare these uncharted worlds within our supposed divided countries and continents. Harrison's poetic opens spaces where all dichotomies come together as an boundaryless egg of being; here, without and beyond language, the poetry of bicycle agitates and argues what is most real be witnessed in completion as a shapely gourd throbbing with prayers for both these unities and these differences, for the reception and the flowing through of a Being refusing to be stilled.