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Female Performance Practice on the Fin-de-Siecle Popular Stage of London and Paris
Catherine Hindson
其他書名
Experiment and Advertisement
出版Manchester University Press, 2007
主題Literary Criticism / RenaissancePerforming Arts / Theater / GeneralPerforming Arts / Theater / History & CriticismSocial Science / Women's StudiesSocial Science / Gender Studies
ISBN07190748519780719074851
URLhttp://books.google.com.hk/books?id=w2qFAAAAIAAJ&hl=&source=gbs_api
註釋This study focuses on seven women who used the fin-de-siècle's popular stage as a space to develop their experimental performance practices: acts that won them international fame and critical acclaim. The diverse entertainment careers of Maud Allan (1873-1956), Jane Avril (1868-1943), Loïe Fuller (1868-1926), Sylvia Grey (1866-1958), Yvette Guilbert (1867-1944), Letty Lind (1862-1923) and Cissie (Cecilia) Loftus (1876-1943) encompassed song, dance, impersonation, and acting. In accounts, reviews, autobiographical writings, interviews, and other cultural products associated with them it is clear that individual female celebrities understood their work as creative, professional, and original performance practice. The absence of their creative work from studies of performance history reveals much about hierarchical approaches to cultural environments, gender, and physical non-scripted performances that demands to be interrogated.