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Piano Culture in 19th-century Paris
Leon Plantinga
Henri Vanhulst
David E. Rowland
Cécile Reynaud
Herbert Seifert
Pierre Goy (Pianist)
Alban Ramaut
Rohan Horace Stewart-MacDonald
Christian Ahrens
Michaela Freemanová-Kopecká
Frédéric de La Grandville
Richard Fuller
Alicia C. Levin
Yael Bitrán
Stephanie Frakes
J. Mackenzie Pierce
Fiorella Sassanelli
Shaena B. Weitz
Majella Boland
出版
Brepols
, 2015
主題
History / Europe / France
History / Modern / 19th Century
Music / General
Music / Genres & Styles / Classical
Music / History & Criticism
ISBN
2503553265
9782503553269
URL
http://books.google.com.hk/books?id=wPvKoQEACAAJ&hl=&source=gbs_api
註釋
The volume aims to investigate the world of the piano in France, and the evolution of the instrument between the ancien regime and the Restoration. Particular attention will be devoted to the circulation of central European pianists at the turn of the nineteenth century, their influence on the development of piano culture and technique and the impact this had on French musical tastes. Nineteen contributions will explore the piano industry, aspects of performance practice and the bravura tradition, and will investigate certain lines of interaction between publishers, composers, institutions and concert venues between the French Revolution and the first Industrial Revolution. The ultimate aim will be to determine more comprehensively the role of piano culture within nineteenth-century Parisian musical life.