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註釋The work of Trilnick (b. Colombia 1957) marks the history of video art during the first three decades of its use. The experiences of Trilnick with photography, video, installations, cinema, television, and digital images established him as an innovator and experimental artist that he has maintained throughout his career. This work is a compilation of significant texts old and new. The newer studies help complete the profile of Trilnick and analyze a series of photographs, installations and videos as part of the larger trajectory of his work.