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Haunted
Sylvia J. Martin
其他書名
An Ethnography of the Hollywood and Hong Kong Media Industries
出版
Oxford University Press
, 2017
主題
Performing Arts / Film / General
Performing Arts / Television / General
Social Science / Anthropology / General
SOCIAL SCIENCE / Anthropology / Cultural
Social Science / Anthropology / Cultural & Social
Social Science / Media Studies
ISBN
0190464461
9780190464462
URL
http://books.google.com.hk/books?id=xNqHDAEACAAJ&hl=&source=gbs_api
註釋
Machine generated contents note: -- List of Illustrations -- Acknowledgments -- Introduction -- "The End"--The Risks of Filming Death -- Themes of the Book -- Framing: The Multisited and Multisighted -- Access -- Structure of the Book -- PART 1: The Assemblages of Spectacle -- Chapter 1: Contrasts, Commonalities, and Connections: Hollywood and Hong Kong -- Ideological Contrasts -- Industrial Overviews: Commonalities and Contrasts -- Media Assemblages: Joint Productions and Collaborations -- Chapter 2: The Production of Spectacle / The Spectacle of Production -- The Set -- "Who's the Chief?": Setwork and Authority -- Spectacle and the "Cinema of Attractions" -- The Reel Audience: Mediating in the Immediate -- The Spectacle of Attractions: Explosions, Wizardry, and Tricks -- Tensions Between Extra and Actors -- Sisyphean Efforts of the Subcontractor -- PART 2: Local Sets, Global Forces -- Chapter 3: Gambling, Striking, and Assemblage: Hollywood on (Its) Location -- Dollar Day -- Standard Instability -- Transnational Flows, Gender, and Race -- "Strike!" -- Hong Kong in Hollywood: Media Assemblage -- Chapter 4: The Death Narratives of Revitalization: Colonial Governance, China, and the Reconfiguration of the Hong Kong Film Industry -- The Death Narratives -- "King Kong in Hong Kong": The Specter of Return -- Industrial Decline -- Structural Causes of Decline -- Consequences of Decline -- Conclusion -- PART 3: PERFORMANCE AND POSSESSION -- Chapter 5: Of Ghosts and Gangsters: Capitalist Cultural Production and the Hong Kong Film Industry -- The Underworlds Emerge -- Performance, Payment, Possession -- The Spectral in the Spectacle: Constraints and Collaborations -- Gangsterism: Constraints and Collaborations -- Reciprocity and (Self) Censorship of Ghosts and Gangsters -- The Violence in Production: Possessive Power and Payments -- Chapter 6: Affective Labor: An Intersection of Performance and Possession -- Introduction -- Affective Labor -- Laboring Between Worlds -- Performance and Spirit Possession -- Conclusion -- Chapter 7: Camera/Chimera: Suicide, Setwork, and the Ethics of Soul Capture -- A Spirited Camera: Protector or Provocateur? -- "Camera Ready": Transitions and Transformations -- Conclusion -- Epilogue -- Hong Kong -- Hollywood -- Notes -- References Cited -- Index