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A Study of Arranging Technique, Performance Guide, and Practical Application on Liszt's Schubert Song Transcriptions
註釋This document re-examines Liszt’s Schubert song transcriptions, particularly, “Gretchen am Spinnrade,” “Erstarrung,” “Auf dem Wasser zu singen,” and “Das Wandern,” and discusses their value as a musical repertoire and their educational benefits. Studying Liszt's transcriptions offers insights for both advanced performers and developing pianists into how Liszt started with music that was conceived for voice and piano and transformed it into rich compositions for the piano with layers of sound that convey the images and emotions that are depicted in the original text. By looking at his arranging technique, we can learn about how effectively Liszt solved many types of musical challenges and how he applied his interpretative approach to preserve or recreate Schubert’s original ideas. According to his arrangement technique, I suggest a performance guide for making a successful interpretation, taking into consideration Schubert’s original intention. As a practical application, this document includes my original transcription of Schubert’s song “Suleika,” following Liszt’s arranging techniques, with my own creative intentions. This real arranging experience will give pianists and students a wonderful learning experience to understand the art of song transcription.