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Kendell Geers, 1988-2012

出版	Prestel, 2013
主題	Art / Collections, Catalogs, Exhibitions / GeneralArt / AfricanArt / History / Contemporary (1945-)Art / Individual Artists / Monographs
ISBN	37913530049783791353005
URL	http://books.google.com.hk/books?id=z5C2lAEACAAJ&hl=&source=gbs_api

註釋In his provocative, often humorous, but always compelling work, Kendell Geers employs various media such as installation, drawing, video, performance, and photography. For two decades his art has been closely linked to the political and cultural environments of his home--whether in South Africa or Europe. This volume explores in particular the trajectories of two decade-long periods. The first, a political phase, runs from 1988 to 2000, during which time Geers explored the moral and ethical contradictions of apartheid. By appropriating historical events and ideas, he focused on questions of the relationship between individual and society. The second period was initiated by Geers' move to Brussels in 2000. This European period is characterized by a poetic aesthetic as Geers transferred his artistic practice into a postcolonial and increasingly global context, exploring themes like terrorism, spirituality, and mortality. This volume features a number of essays addressing aspects of Geers work as well as an interview with the artist. AUTHOR: Clive Kellner is Curator at Large of the Gordon Schachat Collection in Johannesburg. SELLING POINTS: This book explores how South African artist Kendell Geers's life and work can be seen to constitute a living archive of political turmoil, protest against injustice, and the effects of globalisation. ILLUSTRATIONS: 156 illustrations