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AUTOBIOGRAPHICAL TONGUES: (SELF-)READING AND (SELF-)WRITING IN AUGUSTINE, NIETZSCHE, MAYA ANGELOU, MARIE CARDINAL, AND MARIE-THERESE HUMBERT (METISSAGE, EMANCIPATION, FEMALE TEXTUALITY, SELF-PORTRAITURE, AUTOETHNOGRAPHY).

Lionnet-McCumber Françoise

出版	University Microfilms, 1986
URL	http://books.google.com.hk/books?id=zLr1ygAACAAJ&hl=&source=gbs_api

註釋

My method borrows from current research in narratology in order to show that it is possible to read a work according to certain embedded paradigms which the critic takes as models or antimodels. Starting with Augustine, I was led to read otherwise, that is, to discover under the apparent structures of the text a different system of organization: in the Confessions, I establish the presence of a form of coherence that belies the initial impression of discontinuity. In Humbert's A l'autre bout de moi, I