DISCOVER HOW TO BECOME A MORE 

  COMMERCIALLY VALUABLE 

DRUMMER.

DISCOVER HOW TO INTEGRATE THOSE HIT-SONG PERCUSSION LOOPS INTO YOUR LIVE DRUM SET PLAYING.

​DISCOVER HOW TO CREATE PATTERNS WITHIN PATTERNS THAT CREATE A FULL AND RICH SOUND.

​DISCOVER HOW TO WEAVE; INTO THE MOST BASIC DRUM GROOVES- Grace notes and subdivisions. Learning to do so separately with each hand creates a full smooth and layered sound.

This series can be studied along with any other method books that focus on styles such as pop, rock, jazz, latin, prog, metal etc... For even greater use & value.

​If you want to expand your circle of professional working musicians.

​If you want to be FIRST CALL within your circle.

​​If you want to STOP getting stuck in those "creative plateaus" that hinder progress and make it harder & harder to pick up the sticks.

​If you have ever considered integrating ambidextrous techniques into your current playing style.

UNCROSS//UNLOCK OPEN-HAND LAYERING METHOD IS FOR YOU.

1/4-16TH STRAIGHT-FEEL, THOUGHTFULLY SUBDIVIDED, MULTI-MEASURE EXERCISES 

FOR OPEN HAND, MULTI-SURFACE, 

LIMB-INDEPENDENCE-MINDED DRUMMERS

CHANGE YOUR SOUND IMMEDIATELY

​SHARE BACKBEAT RESPONSIBILITIES WITH THE RIGHT HAND

​FREE UP RIGHT HAND TO EMBELLISH YOUR SOUND WITH ADDED PERCUSSION

​FREE UP THE LEFT HAND TO ACCESS LEFT SIDE SURFACES

​PUT AN END TO "LAZY LEFT" SYNDROME

​NEVER HIT ANOTHER PLATEAU: ENDLESS IDEAS SPRING FORTH WHEN ARMS ARE PLAYING PATTERNS UNCROSSED.

​BECOME FLUID IN MOTION AND PHRASING BETWEEN THE LEFT AND RIGHT SIDE OF DRUMKIT.

LEARN TO WEAVE SUBTLE (OR NOT SO SUBTLE) PATTERNS THROUGH THE BACK BEAT.

​LEFT-HAND KEEPS TIME ON THE HI-HAT WHILE SIMULTANEOUSLY PLAYING BACKBEAT ON THE SNARE DRUM 

RIGHT HAND PLAYS HUNDREDS OF PATTERNS BETWEEN TWO SURFACES

​FEET PLAY FOUR STANDARD ROCK PATTERNS

FOUR-A-DIDDLES STICKING PATTERNS: HOW TO SWITCH BETWEEN LEAD HANDS WHILE PLAYING DRUM FILLS. IT IS AN ABSOLUTE NECESSITY TO LEARN AND APPLY THESE 6 STICKING PATTERNS AROUND THE DRUMKIT. MAXIMUM FLUIDITY IS THE GOAL.