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The Ceramic Surface
Matthias Ostermann
出版University of Pennsylvania Press, 2002-11-18
主題Art / CeramicsCrafts & Hobbies / Pottery & Ceramics
ISBN97808122370160812237013
URLhttp://books.google.com.hk/books?id=xlCEqbG7rgEC&hl=&source=gbs_api
EBookSAMPLE
註釋Acknowledgements Introduction FOREWORD ONE: Catherine Hess Superficial but not trivial The Ceramic Surface from Past to Present FOREWORD TWO: David Whiting Patterns of change Ceramic Decoration in the Studio since the Second World War CHAPTER ONE Manipulated clay surface Distorted, fragmented, thrown and altered, poured, pinched, coiled, cut, faceted, fluted, carved, press-mould additions, cut- out, incised, pierced, clay sgraffito, impressed, texture-paddled, eroded, stamped, sprigged, combed CHAPTER TWO Colour in clay Clay mosaic, neriage, nerikomi (millefiori), lamination, lamination and slicing, poured coloured slips, clay inlay (mishima) CHAPTER THREE Dry-surface decoration Stains and oxides, air-brushing, dry slips, terra sigillata, vitreous engobes, slip sgraffito and carving, slip inlay, layered slips and wiped-down glazes CHAPTER FOUR Underglaze techniques Brushed, painted, poured, trailed, stippled, air-brushed coloured slips and underglaze colours under transparent and coloured glazes, cobalt and oxide painting under glaze, hakeme slip and sgraffito under glaze, sgraffito and carved slips under glaze; photocopying and serigraphic screenprinting under glaze CHAPTER FIVE Glazes used for effect Brushed, painted, poured, trailed, sponge-printed and overlapped glazes, saturated colour glaze, underfired glaze, matt- surface glazes, crackle glaze, crystalline glaze, oil spot glaze, salt- glaze, crawling Shino glaze, raku glaze CHAPTER SIX In-Glaze painting Maiolica: wet-blending and sgraffito, brush line-drawing, on- surface dry smudging, cobalt in-glaze painting, use of coperta, use of black underglaze, high-fire oxides CHAPTER SEVEN Resists and masking techniques Shellac resists, wax, wax emulsion, cuerda seca, latex, paper stencils, tape resists CHAPTER EIGHT Third-firing on-glaze techniques Oxidation lustre, lustre resists, reduction lustre, overglaze enamels (china paints), third-firing stains and sgraffito, transfers (decals), photo transfers and digitally manipulated imagery CHAPTER NINE Fire, smoke and ash surfaces Raku firing, smoke firing and burnishing, Anagama firing and ash effects, wood-fired glaze effects CHAPTER TEN Unconventional approaches Use of organic materials, use of found objects, use of non- ceramic materials (acrylics, urethane, detergent, wax), sand- blasted and eroded surfaces, acid-etching, faux-shards, gold leaf Glossary of Terms and Techniques Recommended Reading Index.